Ookami Kakushi 7 doesn’t have much in the way of action; they decide to throw us more riddles and a lot of exposition instead. Hiroshi is the riddle-ee, finding out bits and pieces of the mystery but still having no clue what it all means.
But he has two allies, Kaname and the man whom we learn is called Sakaki. Kaname’s motivations in all this are unclear, unless it’s simply that she’s an occult buff and curious. She hasn’t witnessed any of the weirdness that Hiroshi has. She’s simply an innocent bystander. Yet she’s the one who is abducted by a heavy-breathing vigilante and stuck in a cell. Why? Did she ask the wrong questions? The girl in the cell next to hers, the one with a crush on Issei, actually kissed him and became … tainted, I guess, but no one that I know of has kissed Kaname. She’s as confused as we are, but welcome, Kaname, to the action!
With Sakaki, we learn what his motivations are. Four years ago his fiancee was killed like the other wolves and he wants revenge. Hiroshi tells him that Nemeru is the Scythe Girl. The thing is, it wouldn’t have been Nemeru back then, would it? She would have been, what? Ten? Twelve? So why in the next week’s previews do we see him going after her? For that matter, why the hell was Nemeru standing outside Hiroshi’s window in the rain?
We do learn a few things. Kaori cannot leave the town. Isuzu’s in the hospital. And Hiroshi appears on a list of people, implying that he’s special in some way, or targeted. Of course, we don’t know why. As for Hiroshi himself, I’m torn between sympathy for his situation and frustration about how complacent he is about it. Not that I know what he could do, but sooner or later he’s got to get up and do something about it.
Fairy Tail 18. Finally.
Deliora is freed! Get ready for a lot of explosions and grunting and fire trucks! … After we get a little more Gray/Leon backstory we don’t need. Oh, and Natsu and that little guy have a fight involving time travel or something. Think of it as a preliminary. Oh, and Natsu stops Gray going from using the living ice trick. And now … Let’s get ready to rumble!!
And then …
Wha da hah?
… One punch and Deliora falls to pieces? That’s it? Ul had killed Deliora when he was trapped in her ice? I want my money back! Okay, okay, it wasn’t all that bad a scene, Ul is vindictated, Gray and Leon make their peace, etc, but what an anticlimax! I wanted a fight like they had with the death-flute!
Okay, I’ll stop whining. For the rest of the episode they try to get to the bottom of the villagers’ plight, which we learn had nothing much to do with Deliora. Erza puts two and two together, falls into the pit (an excellent moment—nothing like a bit of well-timed slapstick to break up a quiet scene) and announces they’re going to break the moon—next episode. Sigh. Will they ever get off that island?
I had pretty much guessed what would happen in Kimi ni Todoke 19, especially after Ryou told Yoshida not to visit him the next day or the day after. But, of course, the other characters don’t know, and so when Yoshida’s love, Tooru, shows up a day early with his fiancee, we get a difficult situation.
The scene is well-done. Half of it is nervous introductions, the other half is wondering how Yoshida, who tends to blubber at the slightest things, is going to take the shock. Much to everyone’s surprise, she covers by being friendly and outgoing. Though it’s obvious that’s not how she really feels.
This extends into the later, damage control-oriented sections, where we wait and wait for her to break down and get comforted by the girls, yet she doesn’t. In the end, it’s Sawako (perhaps inevitably) who has to do the crying for her.
It’s altogether one of the nicer introspective scenes in the series. The arrival of the fiancee effects everyone in one way or another. Sawako and Yano regret that they couldn’t reassure Yoshida, not that she ever gave them a chance to. Kazehaya, in a rare scene where we go into his head, is convinced that Ryou loves Yoshida. And finally we enter Yoshida’s head, and find her, yes, depressed, but not blubbery, reevaluating her relationship not only with Tooru, but with that entire family, and feeling like an outsider.
So that clears the way for Ryou and Yoshida. This might be tricky, since Ryou doesn’t reveal his emotions and isn’t prone to internal monologues like most of the other characters. Then again, this might add to the comedy. We’ll see.