Ikoku Meiro no Croisée 8 is another good episode, though it’s a mystery to tired ol’ me how the tension between Claude and Camille came about. All I know was that their little scene had so many secret meanings and unspoken facts going on that it tired me out just watching it. But it looks like their separation isn’t only because of status and wealth. Much more interesting are the folktales and stories that Yune and Alice tell, well, not the stories, but the way Alice reacts to them. She has constantly sniped about the roles women are stuck with in society. Until now I wrote it off as the babblings of a girl unaware of the enormous pressures women face, but now we learn that Alice is much more of an independent spirit than her older sister, and always will be. Alice is turning into quite the interesting character. As for Yune, the title character, she serves as a catalyst, nothing more.
As usual, no big plot dramatics for Usagi Drop 7-8. Though it looks like it at the start, with cousin Haruka and niece Reina leaving their home and showing up at Daikichi’s place. What we get are a lot of adult conversations, and comparisons of parental lives while the kids run around in the background. And since these scenes are all good it doesn’t matter what the dramatic level is. My favorite bit comes after Reina tells Rin that her parents fight all the time, and Daikichi and Haruka start to bicker … Though any one of the scenes where Haruka describes her home life, or the “strength” metaphor are worth noting. It makes an interesting comparison to episode 8 and Masako’s reaction to secretly watching Rin and Daikichi. Seeing Rin now seven years old, no longer a baby, she realizes what she has lost by giving her up, and decides to dive further into her work, the thing she gave up Rin for. That’s what she wanted right? Even though she already works so hard she’s about to collapse. Or maybe she sees her action as a mistake she must atone for, even at the cost of her well-being.
It seems I skipped an episode of Idolm@ster. No matter. I enjoyed (this is a relative term considering the subject) episode 7 for the things it did not do as much as for the things it tried. At first it looked it’d be all about Lori seeing how the commoners live and embarrassing herself, sigh, but Lori quickly adapts to Yayoi’s crowded and lively home and the drama is the kid brother running away. I was so pleased by this turn of events (and Lori’s pep talk to the boy) that I happily forgot that the drama wasn’t very interesting.
Both Sacred Seven 8 and 9 had no real point to them. Episode 8 has Tandoji and Ruri going off to find something to fix Hellbrick, but really it’s an excuse for them to have a date. So they argue, Ruri objecting that Tandoji just says “whatever” all the time and isn’t really interested in this saving the world thing. This is not true, of course; Tandoji always finds motivation to do heroic things. But they bond a little. I guess they both had to talk it out even though we already knew they were fine. But is Ruri’s concern about Tandoji because he’s a valuable teammate or because she likes him? Who knows? Episode 9 is even more pointless, two separate battles with no ramifications, almost a filler episode. But these two evil darkstones, lampposts of destruction, were fun to watch. Why Ruri and Tadaki didn’t realize that the fat one was feeding off the energy they throw at him I don’t understand.
We meet new characters in Yuru Yuri. Episode 8 brings us Chitose’s twin sister Chizuru, which leads to a long and, I suppose, inevitable character confusion scene involving Kyoko at her most annoying. Why the hell did no one in the cast know Chitose had a twin? Even Ayano didn’t know. Chizuru’s best trait is that Kyoko bugs her and she isn’t afraid to retaliate with violence. I wish the other characters would show such initiative. A nice scene where Chitose announces she’s lying, but then says she lied about lying, so in other words, the Student Council president DID explode. I scratched my head over this until I saw episode 9, where we meet said president, Motsumoto and her favorite teacher, Nichigaki, who likes to do experiments. Normally, I like people who like to blow up things, but Nichigaki comes off as dull. Meanwhile her sidekick Motsumoto speaks so quietly that no one can understand her. But together, they’re a bit more interesting. “We’re explosion friends!” So two episodes, three new characters of varying interest.
In Nekogami Yaoyorozu 7 nothing happens. The girls/gods prepare for the festival, sleep over, and tell ghost stories. I didn’t expect any scary stories from them, but I figured on some half-funny ones. Wrong. Only Mayu tells a story that has anything spooky to it. But isn’t it odd to for gods to tell ghost stories in the first place? Once again, I defy my own tastes by finding the whole think kind of cute.
Whenever I watch an episode of Kamisama no Memochou my overall responses are “That was put together well enough,” and “But who cares?” And I feel a little offended. The show assumes I have bonded with these characters, when in fact to me they’re all ciphers, seen just often enough so that we know who they are and what they do, but not enough that I feel any attachment to them. My interest in the Renji and Sou conflict was diminished because I don’t like either character. Let ’em kill each other. It didn’t help that I knew Hison was alive the moment embroidery-guy said “he” had pain in his abdomen. And while the characters can consider it a success that the gang showdown at the concert was a success, we hardly saw any of it.
And finally, Baka to Test to Shoukanju‘s thrilling conclusion to the “I must expose the blackmailer even if it means peeping in the girls’ bath!” story arc. Er, a bit of a letdown. They finally get a good strategy, the blackmailer is exposed, the boys are suspended for a week (they never get the breaks), etc. The only real surprise came at the end, shown in the picture above. Now I’m only one episode behind. Sigh. But I can’t watch anymore.