Kill 23, Nobunagun, Yakuindomo, and Chuunibyou Ren 11

Kill la Kill 23 is a big epside with lots of dramatic moments, fighting, and shouting, all to get us ready for the big finale next week. Good thing, too.

I'm beginning to feel that way too.
I’m beginning to feel that way too.

Frankly, it’s beginning to wear thin. When you have a show as over-the-top and intense as this one, you run the danger of bludgeoning the viewer into indifference. Happily for us, the show knows it too. It has leavened the intensity with just enough quiet moments and comedy to extend and heighten the big dramatic scenes. Oh, and the surprise twists. Mustn’t forget those. But that’s all right. They timed it almost perfectly. And while we have more bonding moments, still more level-ups for the costumes (didn’t we do this last week?), it’s all in anticipation of a final battle next week, with everyone wearing their final battle outfits, in the final episode. Unless Trigger fools us and makes a post-finale battle, outfit, or even episode. I could see them doing that.

smackdown #46702 for the series.
smackdown #46702 for the series.

As for the events, well, nothing much we haven’t seen before. Well, we hadn’t seen Ryuuko cut in half, but that was a ruse in order to distract Ragyo (I think the show’s writers were giggling furiously while writing that scene). We’ve seen the four devas in new suits before. Mako does her best to hold the fort until they show up. It was nice to see that tableau of everyone on the ship, not only the main characters, but all the little people as well (which reminds me that I felt the same way watching the freed suit-wearers on that hamster wheel). Two questions, apart from how they’ll win, remain. Didn’t they win already by killing the main life fiber? And, is Satsuki going to do any sort of penance for the years of abusing people she did?

Sio, doing what she does best.  Shootin' and grinnin'.
Sio, doing what she does best. Shootin’ and grinnin’.

I’ve said before that Nobunagun is always better when Sio is grinning, and she grins a lot in episode 11. And why not? As the episode goes on all we see is her plan succeeding. Newton messes with the gravity, Gandhi and whatshername cut off the rear, and some others, notably Jack, meet them head on in a Gaudi-created dome of death! Hell, apart from Capa and Newton, everyone’s smiling this episode. Meanwhile, Sio is blazing away from the ship at that thing they insist on calling a battleship. Yeah, she’s grinning every step of the way, except when she’s fanboying over tanks and their drivers. Then she uses some hovering thing so she can blast at the thing from close range. It’s only here that things go slightly wrong, like another battleship or something, with tentacles that threatened to turn this into a porn movie for a minute. Judging from the previews, however, it’s a minor setback.


In Seitokai Yakuindomo 11, Shino and Takatoshi walk by a lake, then after this week’s proclamation, we learn that it’s Autumn and getting colder. The SC decides to remind the student body of certain rules by using the newspaper, then turn to other things, but someone is leaking their information, so Suzu suggests they use a code. You can imagine the jokes, can’t you? It doesn’t work anyway, more info is leaked, though it’s wrong and embarrassing. After that Takatoshi learns the pond has a turtle, then Uomi invites them to her school’s festival, where they attend a cooking class and watch some acts. Time passes, and it’s snowing! They have to shovel the school entranceway. I didn’t know you could make so many dirty jokes about snow. After that comes winter break and a surprise stew party, where the mystery ingredients are, happily, not obscene, except for the sausage. Then Shino plays secret santa. Weird to have a xmas bit when it’s really March. Oh, and Suzu is short the entire time.


With Chuunibyou Ren 11, the closest thing I can figure is that the “Dark Flame Dragon” was Satone’s battle with the image of Yuuta as a boyfriend, a false image that must be destroyed so that she can face the reality of the situation, that Yuuta’s got a girlfriend and she’s got to let go. That would help to explain Yuuta’s line about the dragon not existing, so we can’t see it, etc. To that end, Satone gets to see Yuuta constantly worrying about and chasing after Rikka to ensure she doesn’t get into trouble, for two episodes now, every time she turns to him, really. It feels unrealistic. Feelings don’t just go away over a summer break. Kumin’s “give her time” line was the most sensible advice. Meanwhile, through finding all those tokens, Rikka gets the confirmation of Yuuta’s affections that she needed, given in terms her dark fantasy-addled mind can understand. And in the meantime this sequel series still doesn’t have much to show for itself. But we’ve been saying that for a while now.

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