It was suggested to me that Zankyou no Terror 7 was going to have a lot of running around in airports. That proved to be the case, but the show did a terrific job of salvaging what could have been a dire bunch of scenes.
The “chess match” business was ridiculous last week, and just as much this week (not to mention ultimately pointless), and so was the searching, but to help the scene out, Nine and Twelve weren’t just running around and waiting for the next move. They had a countermove of sorts, to capture some security camera footage and loop it so that no one really knew where they were. Also, they got Lisa involved, though she wound up as more or less a pawn in this chess match, causing a distraction but then getting captured by the asshole forces and stuck on a plane where the bomb was. Also helping throughout was a terrific, understated jazz piece that worked busily underneath and gently raised the tension without calling undue attention to itself. It actually makes me want to watch all that running around again. Every anime is better when Yoko Kanno is involved.
The bomb searching, plus the mind games, was as well done as possible. Nothing much else was accomplished except now the bad guys know who Lisa is. But I’m curious about the fallout from Shibazaki and his colleagues interfering in Five’s evil plot, since he wasn’t supposed to be there. Everyone knows now that NEST is destructive and out of control, or at least Five is, but they still have authority. The Tokyo police force does not, no matter how many lives they saved this week. So what will happen to them? On the other hand, the irony of Shibazaki and Nine teaming up prevent a disaster wasn’t terribly effective. I figured it would happen when Five showed up. The bigger irony of authority figures acting without restraint comes when you look at the news from Ferguson this week. Still, a very good episode.
Tokyo ESP had more training, lots of Rinka getting tossed about by this middle-school kid Ayumu, because he has precognition. So she finds a way to turn the tables by not attacking, forcing him to attack and leaving an opening, or something. So in the rematch he could just not attack, I suppose, but he’s bored and wants to get it over with, and we learn that this over-thinking makes him a slow combatant. More amusing is his anti-esper mother being attacked by an Esper and he and Murasaki taking him down. Amusing because even with his precog he can’t figure out a good end, until he THINKS of a way. Nice job of showing both the strengths and weaknesses of his abilities. Also Murasaki has become a hell of a lot of fun since discovering she can read the history of a weapon and perform its best moves, and her dad is a kung-fu nut. Nothing else in the overall plot happens apart from the inevitable Asuma/Minami scene, which goes no further than all the others.
I’ve completely lost track of the symbols and metaphors in Glasslip. Episode 8 had the characters all doing the little things they were doing before and I tried to figure out a purpose for any of it. There was maybe the point of false assumptions, suggested earlier when Touko envisioned Sachi in the hospital and this time with Yukinari not running past the middle school, leading the girls (and others) to assume he’s not running, when in fact he was–at a track team training camp. But maybe that has nothing to do with anything. Instead, Yanagi deliberately runs the same route … at which point I gave up. One or two points that stood out, apart from the strange scene where Yanagi walks around her house naked (with more of those frozen images–WTF?): Sachi and Yanagi are beginning to guess at the secret that Touko and Kakeru share, and Touko’s visions are getting darker and more threatening. So I guess something’s coming to a head, but I have no idea what it is.
Sword Art Online 8 only gets interesting in the second half as we watch the Bullet of Bullets final melee unfold. After watching Sinon in action for a while she is ambushed in a non-threatening manner by Kirito so he can see the battle below unfold and Death Gun show up. It’s interesting because we see how DG works–stunning his victim first than doing some ritual thing before pulling the fatal trigger. And the show wisely leaves it like that, as a cliffhanger, so we don’t get to see if Sinon or Kirito will interfere in time. I’m interested in why this supposedly overly-powerful character hasn’t seen them yet, or maybe he has. Up to the battle it’s more of Kirito begging the annoyed Sinon for information about the final round and combatants and Sinon wondering what’s up with him, leading to more tsundere moments. Meanwhile, we don’t get to see anything going on in the real world. Just as well, but again I wish they had involved Asuna more. The first series was better when the two of them were together.