Zankyou 9, Glasslip 11, Tokyo ESP 10

Zankyou no Terror 9 is mainly two deceptively quiet scenes that are extremely powerful and just fly by, leaving me wanting more.

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In the first scene Shibazaki and Hamura visit Souta Aoki, one of the one’s responsible for the Athena Project, and he spills the beans. Simple as that. And we the viewer probably didn’t need to learn the information because we’ve already been clued in, apart from the Dr. Mamiya bit. But there are other things going on. Obviously, there are the two cops’ reactions to the information, rage on Hamura’s part and a sort of resigned, mild surprise on Shibazaki’s. Also, Aoki seems to be unburdening himself for the first time in years. His calmness and his age suggest that he has fully accepted that he is a sort of monster, one who is too old to care. Finally, his confession puts all three men in danger, and they’re all aware of it. I expected a gunshot through the window at every moment. When the scene was over, to my surprise, I discovered that half the episode was done.

The rain has stopped.  The moon is out.
The rain has stopped. The moon is out.

The second scene had Twelve racing to rescue Lisa, who’s shackled inside a ferris wheel car with a bomb strapped to her. While Twelve defuses the bombs they talk. Lisa apologizes, Twelve forgives her. What makes this scene beautiful to watch is that there are too many bombs on Lisa for Twelve to defuse before the clock on her chest gets to zero. He knows it, but doesn’t tell her, just keeps working, gently, like a doctor slowly treating an hurt patient. Also there’s another lovely Yoko Kanno song playing, almost a lament, timed perfectly at the point where Lisa realizes why Twelve willingly walked into this trap, at which point the camera pulls back, so we can see most of the wheel, a completely unnecessary and beautiful moment. Certainly the most romantic bomb-defusing scene I’ve ever seen … Five’s rude phone call and Twelve’s “betrayal” of Nine (I’m not buying that just yet–Nine’s got something up his sleeve), and Five’s collapse, you know, plot, felt like an intrusion after what we’d seen. There you are. Two scenes that could have been nothing, made amazing by creators who know what they’re doing.

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With episode 11 of Glasslip, our three sort-of couples are back together, but none of them can be considered a couple yet. Hiro and Sachi are going at their own pace–up a mountain, Yukinari and Yanagi are running together with the latter sitting in on the former’s dance class, and Touko and Kakeru are conducting “experiments.” Apart from that kiss last episode, which is not elaborated upon, the romance with all three is uncertain. But maybe they’re close enough for them to see the snowflakes that Touko keeps seeing. Hell, everyone should be able to see it. It’s actually sticking. I was briefly reminded of Nagi no Asukara and expected someone to jump into the sea … wait, didn’t Touko “see” Kakeru fall once? Maybe he’ll fall in and get rescued by Hikari or Shisaki, complicating both plotlines.

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But Touko is having different hallucinations as well. Now she’s seeing fireworks in the glass beads, and, weirdly, Kakeru can see them too. And we can hear them. Touko seems to think it means that Kakeru will be with her next summer instead of going off around the world with her mom, but I’m thinking it might be a flashBACK instead, to the first moments they were together. If so, they’ve moved past something, but things are too unsettled with Kakeru now. He still has conversations with his double, fragments of himself, I guess, and besides, his mom hasn’t finished her recital yet. Who knows what more they have to do in the two episodes remaining?

No, it's just you.
No, it’s just you.

Tokyo Esp 10 starts with Rinka’s capture, followed by a catchup thanks to the Panda. Still looks bleak. We also have Kyotarou trying to escape, which leads to Minami’s flashback, where we learn how Azuma became a murdering shithead. It’s standard Sweeney Todd stuff, murdered wife and friends and a government cover-up, so everyone must die. We DO learn where the goldfish come from–the arc of the covenant, of course! It even looks like the one in the movie. More interesting, though only by default, is Kyotarou’s “What would Rinka do?” bit, because it nicely pushes away justifications of the insane. Too bad he’s still stuck on that island.

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2 thoughts on “Zankyou 9, Glasslip 11, Tokyo ESP 10

  1. Definitely a beautiful episode of Zankyou no Terror this week. Not that things have ever been shoddy in the artwork department for the show, but I feel like the art team behind ZnT really pulled out all the stops for this one. As a result, it’s one of my favourite episodes of the series thus far.

    • I’m sure you’re right, but frankly, I didn’t notice the art except that it was at its usual high standard and not worth commenting on. There are a LOT of things they got right in this episode. Watching it again I’m fascinated by what might be going through Lisa’s mind when Twelve says “demo …” and the lights outside got brighter and that song added those grumbling low notes and she looks at the moon and the camera pulls out etc etc etc. Fantastic stuff.

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