Bungou 7, Kumamiko 8, Kuromukura and Tanaka-kun 7

Bungou Stray Dogs 7, while not appearing to be, is actually about Kunikida and his ideals, though, like the first part of the story last week, you hardly notice it, at least until the end, when after an entertaining enough battle where the bomb guy, a smirking bishie and thus my least favorite anime character type, gets what’s coming to him by some clever teamwork between Dazai and Kunikida (who earlier was wondering how the hell these two became partners). The connection between the two men, after the surprises and tragedies of the final scene, became more compelling. Kunikida clearly believing in his strong-minded ideals and so frustrating and raging “why!” while the usually foolish Dazai talks about justice being a tool, and the danger of ideals destroying people’s souls. It DOES make you wonder why these two are a team, apart from the fighting baddies, I mean.

Damn Yoshiro.
Damn Yoshiro …

Kumamiko 8 continues the emotional abuse on poor Machi. This time Yoshiro cons her into working as one of those poor souls who have to prepare and hand out samples of food at supermarkets, claiming it’s sort of a path to stardom and the city. Naturally he ditches her there and we spend several painful minutes with her being ignored by customers and threatened by the boss. And turns out it’s only because the regular part-timer was off that day. I suppose you could argue that it was good experience of the real world for Machi, but I’d like to punch Yoshiro in the face for continually humiliating her to further his own interests. Though the cold rice dishes Machi and Natsu prepared at the start looked pretty good.


Kuromukuro 7 has no battles, but after the fireworks in ep6 I didn’t expect one. This one’s all about people working out what they should be doing, what they have to do, and DO they have to do it. The character’s stances on these things come out in a sequence of little scenes. Now that she’s seen the face of the enemy, who was NOT a demon, Yukina is adamant about not getting back in the Black Relic. You can’t blame her. She also has painful memories about her father’s absence reawaken, maybe because he had called them demons, but what he meant by that term isn’t clear. There’s also some resentment about being considered a tool by just about everyone, and maybe a tad of jealousy about that princess who stole the artifact in the first place. And then there’s her mom, come home to work things out and failing. Perhaps not surprisingly, Yukina runs off.


Meanwhile Kennosuke is working over his side of the issue. The not-really-clueless Yukina asks him some pointed questions about the nature of his revenge and what he intends to do even if he gets it (telling her he would then die wasn’t the best answer, Kennosuke!). He’s also against forcing Yukina to get back in that mecha, and is socially awkward enough that he doesn’t have the words to convince her. Yukina seems to be turning her back on destiny, or at least her duty to mankind, but how to bring her around? That’s the big question right now, as the bad guys (a bunch of riduculous-looking people wearing armor, who call the Black Relic “Glongur”–sounds like one of Stan Lee’s Amazing Stories monsters–who are so cliched and awful that the nearly sink the episode just by appearing) are trying the trick of appealing to Earth for the relic’s return, a political tactic that complicates things further. Good episode, even if nothing got blown up.

Like Rina-chan's bitter heart.
Black, like Rina-chan’s bitter heart.

Tanaka-kun wa Itsumo Kedaruge brings us a valentine chocolate episode with no annoying bits, because the chocolates in question were already delivered and the girl is a mystery. It allows Tanaka and Ohta to wander around (miraculously overhearing each of their suspects deny the chocolates to friends), speculate, and eat the sweets, homemade for Tanaka, bittersweet store-bought for Ohta, the presentation of which furthers the mystery. Of course, when we (finally) meet Rino, Tanaka’s sister, we pretty much guess. These later scenes were a little awkward because I couldn’t figure out what Rina’s all about, and she’s not obvious like Miyano is. But as usual, it’s all funny, if a little odd at times: WHY did Rino put the towels on Tanaka’s head?

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