Kobayashi-san Chi no Maid Dragon 5 is a pleasant series of little bits, the best being Tohru sneaking in to watch Kobayashi at work. I’m not a fan of the outward sentimentality some of the scenes give us but here it’s restrained to an early moment (Kobayashi wondering how she was before Tohru came along) and a final moment (She doesn’t remember, oh well …), followed by a punchline concerning the asshole boss. Not to say the other introspective moments don’t hurt the show. The bit with Fafnir at the traffic light was handled well, as was Kobayashi’s realization why Tohru wanted to learn ESP that much. The short bits worked pretty well, with Saikawa’s ridiculous overjoyed look working as a nice running gag. Turns out, by the way, that Kobayashi uses Python at work. Don’t know what that signifies apart from someone in KyoAni knowing it.
KonoSuba2 5, though all its main characters are in the story, refuses to fully utilize them again. This time it’s Kazuma and Darkness going through the dungeon to get rid of that magic circle Aqua put there that’s now keeping the monsters out. Then it becomes Kazuma, Darkness, and Vanir, who’s taken over Darkness’s body. Vanir’s bizarre motives and the logic of the whole thing made little sense to me, but as I’ve pointed out before, a coherent plot is low on my priorities for this show. What we got is a funny duel of wills between Vanir and darkness over who will be in control, and Vanir’s ongoing surprise that Darkness rather likes the promise of torturous pain for refusing. Kazuma can only stand there and do reactions. Better yet, Vanir is telepathic, and so can reveal embarrassing things about how the two adventurers feel about each other. So, that talisman that didn’t do anything? The monsters that aren’t there anymore? The fact that Vanir also wants the circle removed and should be cooporating? Who cares. And I think Lalatina is a lovely name.
It really isn’t fair to compare Seiren to the Amagami shows. While the format and many of the creators are the same the characters are completely different.. well, maybe it IS fair to compare them, and I can’t help it. But so far, this new series hasn’t lived up to the fun of the original–until episode 6. We get a great scene where they bring Tsuneki back (to help the son of her boss at her secret part-time job get revenge, which adds resonance from the previous arc) for a GunGal duel, complicated by the arrival of the school’s disciplinarians. The show skillfully jumps from one situation to another. It’s followed by Miyamae and Shoichi having their deer “mate,” dancing with the innuendo without overdoing it. Through it all they work further on the serious issues, like Miyamae’s gaming obsession and how her appearance has changed the dynamic between the boys, and shouldn’t Shouichi be studying more? And finally, an Amagami reference, I believe, to Junichi and whatever girl it was doing things in the pump shed. These are all the sort of things I expected this show to do, and they’re finally doing it.