Seiren 9, Youjo Senki 8, Demi-chan and LWA 9

Though the last arc improved the average, Seiren still hasn’t reached the heights of its predecessor, but in episode 9 I realized that this show has an advantage: it can use Amagami itself.

Hi Kyoko! Welcome to Shouichi’s linear harem!

In a flashback, during a strange gender-swapping display by the very young Shouichi, we see Junichi in the background, possibly being stood up. I actually didn’t make the connection, and instead got absorbed meeting the new girl, Kyoko. She’s a childhood friend who’s still interested in things like a certain manga (which, after a hiatus, has become more adult). Shouichi humors her and agrees she might try to be a little more grown up. In the meantime we get name-checks and cameos of the other characters, especially Tsuneki, whom, I suppose cannot be ignore. Things were moving happily along with cute panties discussions and deer references when they suddenly give us this.

It’s the Tea Club girls! Great to see you! How’ve you … oh, you’re not?

No, not Amagami’s tea club girls, alas. Instead, Koharu and Nao are the only remaining members of the present-day home-ec club, and it seems they might be doing rituals at night. Kyoko decides to visit the club, and it’s sadly mundane. No sinister uses for old clothes, never mind what that Trek Club guy was saying when he wanted them to make him a man. Just a nice late-night moon viewing session in kimonos, though the traditional food they prepare seems to be a reference to the tea club. Even without the Amagami reference it would have been a good episode, but now I wonder if we’ll get sarcastic narrators, pool club ramen, or ni-shi-shi-shi’s in the future.

Oh, just the usual for this show.

Youjo Senki 8 at last adds some variety to the “Ruthless Tanya destroys all opposition” schtick we’ve been getting. Yes, this week she destroys the opposition, not to mention a whole city with a lot of civilians in it, but in addition some of the people under her command are rather unhappy about this. One, Grantz, sees too much of the enemy’s faces and doesn’t exactly develop a conscience, or a spine, but goes berserk enough to try to shoot Tanya at the end. We didn’t even have to see what happened after to figure out if he succeeded. Also, God is going to interfere again, telling a soldier awakening from a coma to destroy Tanya. The trouble is, I can’t make out who it was … you know, if he’s been in a coma for two months why is he still wearing those bandages? Coma’s don’t stop the healing process, just a thought. Anyway, so it continues. Happy to see the republic or whatever they’re called is giving stiff resistance, though.

Demi-chan wa Kataritai 9 has Takahashi pondering and discussion demi abilities with their wielders. First, Sakie is called out of the blue by that cop and told to seduce Takahashi, in other words, make use of that succubus power she’s got. It still bugs me that that asshole cop gets to order her around, even though they’re in a sort of father/daughter relationship, mainly because he’s an outsider he should have little idea what it’s like to handle abilities like hers. But she tries making a move in her own way, not using her powers, and winds up sharing a nice talk with Takahashi. The show is unclear on whether she truly isn’t using her powers, however. Takahashi’s well hidden lusts might be from her natural looks, or maybe it’s some succubus mojo leaking out. It’s fun that they’re keeping it vague. In a less interesting part two, Yuki and Takahashi try ways to use her cold abilities in hot weather. Since it’s negative emotions that cause the cold, it’s no fun for her. Interesting concept, not much of a story apart from the fact it brings the girls into the episode for the first time.

In Little Witch Academia 9 all the students get leave outside of campus, and they can’t use magic. Naturally Akko screws something up and now there’s a resurrected skeleton in a pirate outfit rushing around looking for revenge for something he can’t remember, with the girls chasing him around. None of it adds up to much; when you know what this show is capable of, all the scenes here fall a little flat. The touching ending wasn’t terribly touching because we had no idea of the headmistress’s past, and besides, she isn’t terribly moved by it either. The big mystery was that case full of personal items that the headmistress and Ursula put in a case, and never seen again. I suppose it’s a plot seed for a later episode, but the fact that they don’t refer to it again (apart from the headmistress’s mallet) felt misleading.

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