Sakura Quest 6 has a film crew move in to use Manoyama as a local for a slice-of-life film that’s really a zombie picture, and two people aren’t happy. Maki wants absolutely nothing to do with the production, even with her acting background, and the fact that the movie heroine, Moe, knows her from the city and is delighted to see her again. Trouble is, we don’t have enough clues as to why she is overreacting. Sanae accuses her of running away (Sanae is the expert in that field), but that doesn’t feel quite right. There’s a question about eating a cicada and devotion (the episode has other characters talking about suffering for what you love, which Maki downright rejects), and her issues with her dad, but it doesn’t add up. Maybe we’ll get more next week, though we’ll also have to work in Shiori’s not wanting to burn down an abandoned house because … well, we don’t know yet. Meanwhile, it’s beginning to feel like the series is going to solve each girl’s problems one episode at a time, and I hope it stops.
Saekano Flat 5 wasn’t quite what I expected. Eriri didn’t really have artist’s block; instead she has do a third alternate ending, and artistically it ought to be in a different style than she has using before. Funny that I wasn’t terribly worried about her progress. I seem to have the same trust tempered with worry that Tomoya has, one that annoys both Utaha and Megumi. Utaha thinks Eriri’s running off to a place in the woods to work is following a classic pattern that lead to her unraveling. Also she talks about how Tomoya’s attitude toward her work will prevent her from growing, but I frankly don’t understand her logic. Megumi’s concern is more benign–she gets irritated because Tomoya considers ditching the new route, which would be a slap in the face to Eriri. Anyway she gets it done, because Tomoya believed in her. They’ve set up a sort of cliffhanger at the end, but I don’t think she’s in any real danger. I’m more curious about what the others will think about her work. Oh, and early on Megumi gets confessed to and afterwards throws some classic Megumi verbal darts at Tomo, and Utaha mocks Tomoya about his protagonist status as they eavesdrop. Best part of the episode.
I had Hinako Note on my chopping block. If they spent too much time showing Hinako nervous or doing her scarecrow, I would drop it. But episode 6 … wasn’t bad. They kept the early parts lively, and demonstrated that when she’s in her zone, Hinako was more than capable of performing her part. Since the potential was there I got less worried– Then, believe it or not, the show becomes genuinely funny, with Mayuki doing a maid cafe (all those maid-clones in the background, waving their arms), and then Kuina’s ode to festival food, with “Thus Spoke Zarathustra” on kazoos as accompaniment.
I’ve spent enough time doing theatre that I know how wrong things can get, and I’ve seen enough pre-show jitter scenes in anime and don’t want to see any more, but you have to have a crisis or two. The first, Hinako forgetting her lines before the performance (her brain is so tiny …), was dealt with and quickly forgotten. Then there’s a crisis during the the performance itself, but it has nothing to do with Hinako, but instead Yua, forgetting a key prop. In fact, Hinako manages to defuse the problem with a bit of fourth-wall breaking, and the only scarecrow reference this week was actually a good gag. So all in all, it was a better episode than I thought it would be. I’m not completely sold on the show yet, but if we’ve lost the scarecrow nonsense, and the predictability. the show might now be worth watching.