Home > Little Witch Academia, Re:Creators, Uchouten Kazoku > Re:Creators 6, LWA 18-19, Uchouten Kazoku 6

Re:Creators 6, LWA 18-19, Uchouten Kazoku 6

Meet Magane.

Re:Creators 6 introduces a new character, I didn’t get the name but Wikipedia calls her Magane. A nasty free-killing sort who will happily turn a lie into a lie and then a nasty thing shows up and slaughters whoever her opponent is. Aliceteria and Mamika, after a conversation between themselves over the type of people they want to fight with, meet her, Selestia and Meteora show up, along with beard-guy, Blitz, and soon everyone’s squaring off against each other.All of them apart from Mamika wanting to fight but for different reasons. By now we’ve got just about everyone’s motivations clear, and we see why Aliceteria is siding with Military Arms Princess–her world is a terrible place and she wants to put a stop to it. Meteora brings up the point that the “gods” of this world are just as mortal as anyone on their own worlds. Magane, alas, uses the stale “You’re the same as me” argument. Maybe the best moment apart from Rui chatting up girls on the street is Mamika coming to a decision about when she should fight, and that is to stop the fighting. Stopping Blitz’s bullet with a heart-thingy and a cute “pop!” noise jarred me with its stylistic clash, but was very effective. However, I hope they’re more or less finished with the talky character-establishment they’ve been doing. Oh, Souta cops out and doesn’t tell anyone about what he learned last episode. Idiot.

I fell behind with Little Witch Academia, so I didn’t watch the wonderful magical mecha battle until now. On the other hand, apart from that and another Croix experiment, there wasn’t anything in the episode that moved the story along. I suppose you could argue that Akko befriending Constanze does, but as a perso who likes being alone a lot myself, I kind of felt Akko’s refusal to not interfere annoying. Well, it was still fun to watch.

#19 might be getting closer to the main story. Diana has decided to leave Luna Nova and become the head of Cavendish, because if she doesn’t her Aunt Caryl will continue to sell off the family’s (and perhaps the story’s) important artifacts, including the Beatrix Tapestry left by either Beatrix or Sybilladura Lelladybura, I got confused there, one of the original Nine Olde Witches. That is to say, the Cavendish family is yet another victim of magic’s decline, and the sooner Akko can mix the traditional magic with modern … whatever, the better for Diana. Unfortunately it took the entire episode to spell this out and we’ll have to wait for more next week. It’s good to notice, however, that Diana has completely accepted Akko’s role of gem-getter and magic saver.

That’s the sugar bowl talking.

The thing about Uchouten Kazoku is that you’re never quite sure where the story is going. This episode looked to be about Yodogawa being forced out of the university, and while the episode follows that for a bit, Yasaburo is soon off to Arima Onsen for reasons I forget, and discovers, by following Benten, that the nasty Soun is back and to be inducted into the Friday Club, meaning a tanuki will eat tanuki, though he considers that he has been cast out of tanuki-dom, so it’s okay. There’s more than one person this season who is trying to deny their origins, Nidaime acting like a gentleman and the idiot twins imitating him, and the twice-made comment made this week that Souichiro didn’t smell like himself after an onsen, or when Soun tried to impersonate him.

Yasaburo hangs out in Hell for a while.

Anyway, Soun shows up and casts Yasaburo into a picture of hell, Tenmaya might have something to do with that, and suddenly he’s impersonating an oni and getting hit on by a female oni and being told about Hell’s industrial revolution. While we’re absorbing this he goes to a sumo match and finds a person there taking on all comers. Maybe you can guess who it is. In other words, once again the show has taken a couple things out of its bag and tied them together in ways you would not expect. Oh, the artwork for hell is as amazing as the show’s artwork for Kyoto, not that I’m making a connection there.

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