Last week’s Re:Creators was too happy and optimistic for a show that already killed off a popular character, so I figured this week would make up for it in the depressing department. First, Aliceteria goes, after being goaded by Altair, who also makes evil speeches to the audience on the joys of tragedy, I think. Alice’s death is the noble end of a pure knight, I suppose (having not changed or matured at all since she came here). Altair says the same between giggles and smirks. Going out a hero, while seeing things through to the end, is the theme this week. A lot of talk about heroes. Sadly, heroes die a lot.
The hero talk goes on between Selesia, Charon, her comrade and love interest, with Rui making his presence felt in the argument and the battle. They start by trying to talk Charon into stopping, but it turns out he wants Altair’s way out, because he’s grown tired of fighting, something Matsubara gave him. So the argument turns to what heroes do and don’t do, straightforward, but adding in the complications and the changes this world forces on you. That doesn’t work either. So Selesia makes her decision, and, I suppose, goes out a hero, taking Charon with her. So that’s TWO down, and we don’t really know what happened to Hikayu, though I suspect she’s alive. … Now, I wonder if it’s possible for the creators (of the various characters, not the Re:Creators staff, though they technicall did, er, you know what I mean) to go back and draw up new versions of those who fell. Suruga brought back Blitz’s daughter, didn’t she? More likely, however, it’s Souta’s time at bat.
Princess Principal 8, though technically another stand-alone episode, is given some depth from its unraveling of what the deal is between Ange and Princess, or Charlotte and Princess, or whoever is whom at a given time. It’s hinted at early when Princess asks Ange why she calls her Princess, and then we get the whole story, within a story Ange tells to a little pickpocket girl she befriends while on stakeout (once again, the story this week is just to give the episode something to do while it exhibits the characters). In spite of its retelling for a small girl, it’s so obviously the truth that I can’t figure out why the show didn’t just tell us, but I suppose a straight infodump would be dull. Now that we know what happened, I’ll never be able to figure out if the girl I’m looking at is Princess or Ange, and I suspect I won’t much care. This show is beginning to wear on me.
Sorry about the wait, no that’s Aletta’s line, anyway, Isekai Shokudou 9, while better than last week’s, isn’t up to much. Part one has two dwarves who come in, talk too loudly, and act jolly a lot. Then, to be assholes, they put a metal door over the restaurant door so that no one else can get in. Who cares if the little rest house Guilheim built around the door has attracted travelers? Why can’t they eat delicious food, too. The second story actually introduces some international politics, as Prince Shareef has a crush on Princess Adelheid and is preparing to normalize relations (with her country, not the princess) so he can get a chance to marry her, but that, unlike the various parfaits and soft creme soda treats, is left unfinished at the episode’s end. Wonder if the show will ever get back to it …