Darling in the FranXX 21 is a big, grand, heroic episode where everyone makes dramatic decisions and sacrifices, sometimes more than once. Naturally, little of it makes any sense. We start with the ongoing fight, and the bad guys announcing again that they’re going to set off the Klaxosaur bomb thing and blow everything up, like, in an hour or so, enough time for several things to happen. 02 manages to crawl back where Franxx and that other guy is, while muttering about how little time they have, and she gets an IV or two. Then the gang, disobeying orders that no one should take seriously anyway, since they’re actually from the bad guys’, burst in, giving 02 and Franxx transportation and defense to get to where Strelizia is. Meanwhile, Hiro and the Princess are doing the contrasting “We’re doomed” “No, we’re not, I’ll fight for life until I’m dead!” routine. The rescuers do their heroic last actions and speeches, getting 02 and Franxx to the gate that won’t open until Franxx gives up his arm to open it, a klaxosaur appears and lets 02 ride it to where Strelizia stands immobilized by tentacles or something. Okay, in anime terms, this part is pretty normal. We may not know quite what’s going on, but we can follow the characters’ desires.
Things get out-and-out weird when 02 gets to Strelizia’s cockpit and finds Hiro apparently dead. She kisses him and then they’re both in an enchanted garden and have the grateful reunification that, I suppose, the show needs them to have. This inspires the nearly-dead princess to give her very last effort. Before, she had been talking about how the klaxosaurs had, out of a necessity not explained to us, they evolved alone and unable to procreate. Now she sees 02, her despised clone, kissing the random variable boy, and decides maybe solitude isn’t the way for everyone. Time’s up, but 02 grows a new set of horns, Strelizia bursts out of the Crevasse in its new Strelizia-Apata form. The bad guys, pissed that the bomb didn’t go off, grab some super-lance and run off, shouting that they would return. So I guess the good guys won, but what was with that garden? Is 02 now dead? (nah!) And what are they going to do in the remain episodes? I think there are three more … Okay, I’m going to stop here. It was confusing as hell, but fun to watch in that “everyone does the heroic thing, even the morally ambiguous guys” way.
Hisone to Masotan 10 is no weirder than any of the other episodes. It’s very simple, everyone tries to help get Ei and Hisone straightened out. Ei’s problem was handled easily, though at the cost of some heartbreak for her and for Zaito. All he needed to do was act like a sexist jerk around her, which he reluctantly does, for the good of the mission! Poor guy, for once I feel sorry for him. On the other hand, it means we’re treated to Ei in full fury mode, which is her best. Unfortunately, Hisone’s problems aren’t so easy to fix, partly because she’s the main character and so we want her to have her cake and eat it, too. Quitting the air force won’t help at all, of course. What was Ikushima thinking, getting Nao to pilot Masotan and letting Hisone see it? The last thing she needs to think is that she can be replaced.
Comic Girls 11 is predictable from start to finish. Not that that’s a problem if it’s executed well, and it mostly is. The dorm closing did not come as a surprise, in fact, when the episode starts they are already preparing to leave. The main issue is whether Kaos-chan will manage to get a manuscript accepted before the dorm, and the show, closes. Of course she will–the world isn’t THAT cruel to Kaos. So we have a first half of the girls going through old files and manuscripts left behind by previous tenants, with Kaos discovering a Gannbate! message on a wall. This fires her up, and she winds up submitting four manuscripts. We all know that it will be the fourth (her worst) one that will interest Mayu; the only question is what will the manga be about. I should have expected it–it seems to be more or less about four girls doing comics. But it does bring up an important lesson for creative types: sometimes you do your best work when you’re tired, so that stuff gets past your inner defenses. Again, most of this is predictable, but it’s made effective mostly by Kaos-chans frequent anxiety attacks. In fact, that carries the episode, which was quieter and more introspective than usual.