Finally, Nagi no Asukara crosses the finish line. They added a little sprint at the end to shave a second off their time, but frankly, it didn’t amount to much in the long run.
To start this episode we got the people on the surface trying to figure out just what the hell is going on with all the waves and weird lighting. And we see Chisaki pulling Manaka onto a salt-flow(?), and she’s cured! She even has her ena back! Turns out being surrounded by fragments of Ojoshi-sama’s feelings cured her! Of course, it doesn’t happen quickly. We have to undergo a narration by Manaka explaining that the pieces were telling her that she loved Hikari, and a flashback to what really happened in that legend, or rather, what that bastard sea god was up to when he took Ojoshi’s memories away. Anyway, she remembers she loves Hikari! Yay! Story over.
Hikari’s rescue of Miuna is a typical example of his shouting and hitting things to make his point. He fuels it with his perceived guilt over how he treated Miuna (i.e., he didn’t love her, hardly a sin) when she had fallen in love with him and helped him so much when he had returned all naked to the surface. And he’s pissed because love sucks sometimes, so take his ability instead. The god seems to take him up on this, throwing in a light show, but it seems the god was having a realization himself.
It only seems fitting that this god, shallow and capricious enough to want a sacrifice every year, all of a sudden realizes, after many years, that taking away Ojoshi’s ability to love was stupid because she loved him, too, not just that other guy. You’d think after bearing two of his kids would be enough to get it through the god’s head, but instead he waits for centuries not figuring it out until some middleschoolers get tangled up in a love heptagon. Nothing this episode did raised my opinion of this guy. And in spite of the overall good vibes of the episode (by the way, the climate change crisis that was threatening the well-being of billions of human beings is averted, not that that’s important in this show) I can’t say the finale raised my opinion much. It was a fairy-tale the characters had to take as fact, not as legends full of metaphors, and stories like that fall apart because you’re not supposed to look too closely at it. Over that we have some middle-schoolers who were mostly either annoying aggressive, or dully passive, who all fall in love with one another. It didn’t add up. I will say that it looked great and was well-produced, but, as I’ve said before, I expect nothing less from PA Works.
The Seitokai Yakuindomo phew finale hardly plays up its own love-square, or rather, it simply gets a situation where Uomi and Shino both appear at Takatoshi and Kotomi’s house to feed them dinner when the parents are away. They wind up staying the night. There’s a scene where Takatoshi tries to take a bath. Then they watch a film (Méliès’ A Trip to the Moon, if you want to know). Then more food, they sleep, and the next day clean the house.
Back at school there’s ANOTHER interview with Hata, then other scenes with underused characters, including one hapless male student who actually gets a line. The student council works late and gets home late. Later Suzu and Takatoshi work alone, and we are reminded yet again that Suzu is short. Some other girls complain about the double-standards concerning male and female behavior in society, and the Judo advisor worries about his baldness.
Then its graduation, a straight-up, sentimental affair, with a surprising realization (by me) that is quickly turned into maybe the best gag of the season. It’s not even dirty! However, naturally, things get dirty before the end, and they’re done. It was pretty much the same as the first season, and my reaction was more or less the same, so I’ll let Shino have the last word: